Waterfall study process...

Last semester I did a demo of me painting a waterfall in oil, here is the method I followed. I was very careful to include each stage of the process for my students; initial thumbnail sketches to figure out composition, design, values, etc. These drawings are probably the most important stage of the whole process, not to sound hyperbolic. After that I like to do a couple of colour studies to establish the basic colour world of my image before I dive in (which is what I used to do with my work in university, much to the distress of my tutors). After those steps, I feel better prepared for the main event, and have more confidence in general about how I'm going to go about it all. Now, I tone my surface with a neutral like Raw Umber or Burnt Sienna. You can tone your 'ground' with whatever you like, but make sure it makes sense for the specific painting you're working on (for example, I wouldn't use bright red for something like a naturalistic waterfall). Then it's time to paint, outlining my basic shapes first, then blocking in my most obvious values, from dark to light usually...

Sketchbook drawings part 2...

This post is not specific like the last one, in fact it's a proper mish-mash of randomness. A lot of this stuff is out of my imagination, or I've used reference photos of myself as a starting point. Some of these ideas were supposed to be converted into finished paintings, but for whatever reason it didn't happen. The colour studies were prepared first with a layer of Clear Gesso, then painted in oil. If there was one piece of advice I'd give to art students, at any level, is keep a sketchbook. They are often at least as interesting as an artists final pieces.